Dilla’s long-awaited The Diary now has a release date: April 15. The album features appearances from Madlib, Pete Rock, Supa Dave West, Hi-tek, Nottz, House Shoes, Bink! and more.

The album also gives a home to Dilla’s classic single ‘Fuck The Police’, which you can revisit below alongside the newly released album opener ‘The Introduction’.

The Diary is out April 15 via PayJay and Mass Appeal Records (pre-order here.)

The Estate of Dilla has revived the PayJay imprint in conjunction with Mass Appeal Records to release Dilla's long lost vocal album "The Diary". Initially intended for release in 2002, The Diary is the final batch of unissued material that Dilla had assembled for release during his lifetime, lending crucial insight into the producer’s prowess and thought process in the period leading up to his break with the major label system and the extremely fertile period that followed (which encompassed the making of the canonical classics "Ruff Draft", "Jaylib" and "Donuts").

"The Diary" was Dilla’s attempt to take advantage of the attention afforded him after his brightest period as a behind-the-scenes producer. However, the project stalled and the album was literally shelved, the reels languishing in storage in Detroit as a relocated Dilla began a creative renaissance in Los Angeles. "The Diary" in this, its final form, was painstakingly assembled over a ten year period from two-track mixdowns and multi-track masters found in J Dilla’s archives after his death in 2006. The completion of "The Diary" was overseen by The Estate of James Yancey’s Creative Director Eothen Alapatt, long term general manager of Stones Throw Records and A&R for "Donuts" and "Jaylib", whose previous archival Dilla work includes the expanded "Ruff Draft" reissue from 2008.

The musical landscape has shifted mightily in the wake of J Dilla’s final album "Donuts" release, and Dilla’s subsequent death forced a critical and fan-level reexamination of his work and importance on the global stage. J Dilla was marginalized in the years leading up to his death, as he, battling the rare blood disorder that would eventually take his life, eschewed the major label-led music industry where he created or aided some of the music industry’s brightest – D’angelo, Erykah Badu, Common – in the late 90s and early 00s, moved to California from his native Detroit and dug deep into the deepest recesses of his creative spirit to offer a new take on Hip-Hop’s decades old art form of sampling. After "Donuts", the likes of Kanye West and Pharrel Williams could be heard echoing words read on a fan’s shirt from one of J Dilla’s last European tours in 2005: J Dilla Changed My Life. They were not the only ones: Justin Timberlake opines openly that the world needs more Dilla. J Dilla became a critical signpost for these stars, and others: the archetype figure that birthed everything they loved and cared for in Hip-Hop.

"The Diary" features vocal performances by J Dilla, Snoop Dogg, Bilal, Kokane, Frank-N-Dank, Nottz and Boogie, over production by Dilla, Madlib, Pete Rock, Hi-Tek, Nottz, Houseshoes, Supa Dave West, Bink! and Karriem Riggins. (Patta)